% This LilyPond file was generated by Rosegarden 10.04.2 \version "2.12.0" \header { composer = "Gregor Richards" copyright = "Copyright © 2009 Gregor Richards" tagline = "Licensed under the Creative Commons By-SA 3.0 License (http://creativecommons.org/licenses/by-sa/3.0/)" title = "Opus 11" } #(set-global-staff-size 20) #(set-default-paper-size "a4") global = { \time 4/4 \skip 1*17 %% 1-17 % \time 12/8 \skip 8*2 \skip 4.*2 \skip 1.*33 \skip 4. \skip 8 %% 18-51 % \time 4/4 \skip 1*35 %% 52-86 % \time 12/8 \skip 8 \skip 4. \skip 1.*32 \skip 4.*2 \skip 8*2 %% 87-119 % \time 4/4 \skip 2*52 %% 120-145 % \time 2/4 \skip 2 %% 146-146 % \time 4/4 \skip 1*46 %% 147-192 % \time 12/8 \skip 1.*46 %% 193-238 } globalTempo = { \override Score.MetronomeMark #'transparent = ##t \tempo 4 = 75 \skip 8*2 \skip 4.*2 \skip 1.*10 \skip 4.*2 \skip 8*2 \tempo 4 = 150 \skip 8*2 \skip 4.*2 \skip 1.*24 \skip 4. \skip 8 \skip 8*2 \skip 4.*3 \skip 8 \tempo 4 = 75 \skip 1*12 \tempo 4 = 140 \skip 1*16 \skip 4 \skip 1 \skip 2 \tempo 4 = 50 \skip 4 \tempo 4 = 140 \skip 8 \skip 4. \skip 1.*12 \tempo 4 = 150 \skip 8 \skip 4. \skip 1.*18 \skip 4.*2 \skip 8*2 \skip 8 \skip 4.*3 \skip 8*2 \tempo 4 = 75 \skip 8 \skip 4. \skip 1.*2 \skip 4.*2 \skip 8*2 \skip 8*2 \skip 4.*3 \tempo 4 = 50 \skip 8 \tempo 4 = 75 \skip 8 \skip 4. \skip 1.*2 \skip 4.*2 \skip 8*2 \skip 8 \skip 4.*3 \skip 8*2 \tempo 4 = 150 \skip 2*12 \tempo 4 = 100 \skip 4 \skip 2 \tempo 4 = 50 \skip 4 \tempo 4 = 100 \skip 2*36 \skip 2*14 \tempo 4 = 150 \skip 2 \tempo 4 = 100 \skip 1*20 \skip 1*12 \tempo 4 = 150 \skip 1 \tempo 4 = 75 \skip 1*5 \skip 4 \skip 2*14 \tempo 4 = 150 \skip 1.*24 \skip 4.*2 \skip 1.*4 \tempo 4 = 100 \skip 1.*6 \skip 4.*2 \skip 1. \tempo 4 = 50 \skip 4.*2 \tempo 4 = 100 \skip 1.*2 \skip 1.*3 \tempo 4 = 75 \skip 1.*5 } \score { << % common \context PianoStaff = "0" << \set PianoStaff.instrumentName = \markup { \column { "Piano " } } % force offset of colliding notes in chords: \override Score.NoteColumn #'force-hshift = #1.0 \context Staff = "RH" << \set Staff.midiInstrument = "Acoustic Grand Piano" \set Score.skipBars = ##t \set Staff.printKeyCancellation = ##f \new Voice \global \new Voice \globalTempo \context Voice = "voice 1" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor < f' c'' > 2. -\p ^\markup { \bold \large "Adagio (♩~75)" } aes' 4 | < e' c'' > 2. aes' 4 | < ees' c'' > 4 g' 8 aes' bes' c'' 16 bes' aes' 8 g' | < d' f' > 1 | %% 5 < c'' f' > 2. aes' 4 | < c'' e' > 2. aes' 4 | < c'' ees' > 4 f'' \< g'' aes'' | \stemUp g'' 4 \! \> \stemNeutral f'' 2. | r4 \! aes' f'' aes'' | %% 10 < g'' des'' bes' > 1 | r4 bes' g'' bes'' | < c''' ges'' ees'' > 1 | #(set-octavation 1) r4 #(set-octavation 1) aes'' f''' aes''' % warning: overlong bar truncated here | < g''' des''' bes'' > 1 | %% 15 bes''' 4 \< e''' des''' c''' % warning: overlong bar truncated here | bes'' 4 e'' des'' c'' | #(set-octavation 0) bes' 4 e' des' c' \bar "||" \once \override Staff.TimeSignature #'style = #'() \time 12/8 aes 4. ^\markup { \bold \large "Andante (♩.~100)" } \! aes 8 c' f' f' c' aes r4. | r4. aes 8 c' e' e' c' aes r4. | %% 20 r4. aes 8 c' ees' aes' -\sf ees' c' aes r r | r4. aes 8 c' f' c'' -\sf _\markup { \italic L.H. } f' c' aes r r | r4. aes 8 c' f' f' c' aes r4. | r4. aes 8 c' e' e' c' aes r4. | r4. aes 8 c' ees' aes' -\sf ees' c' aes r r | %% 25 r4. aes 8 c' f' c'' -\sf _\markup { \italic L.H. } f' c' aes r r | aes' 2. _~ aes' 4. g' | aes' 2. _~ aes' 4. g' | aes' 4. bes' g' aes' | f' 4. _~ f' 4 s8 s4. s | %% 30 aes' 2. _~ aes' 4. g' | aes' 2. _~ aes' 4. g' | aes' 4. bes' g' aes' | bes' 4. aes' 2. ^~ aes' 4. | c'' 2. _~ c'' 4. aes' | %% 35 c'' 2. _~ c'' 4. bes' | c'' 4. f'' g'' aes'' | g'' 4. f'' 2. ^~ f'' 4. | c'' 2. _~ c'' 4. aes' | c'' 2. _~ c'' 4. bes' | %% 40 c'' 4. f'' g'' aes'' | f''' 2. \> c'' 8 r r e''' 4. | f''' 4. \! \< < des' f' bes' > f''' < a' ees' des'' > % warning: overlong bar truncated here | des''' 4. < aes' des'' f'' > des''' _\markup { \bold \italic "ritard." } < g' des'' f'' > | aes'' 4. ^\markup { \bold \large "Lento (♩.~50)" } \! \stemUp < f'' des'' > 8 ees'' des'' \stemNeutral f'' 4. ees'' | %% 45 r4. \stemUp < des'' f'' > 8 ees'' des'' \stemNeutral f'' 4. ees'' | < des' des'' f' aes' > 1. -\p | < c' c'' aes' ges' > 1. | < des' des'' bes' f' > 1. | < des' des'' a' ges' > 1. | %% 50 < c' ees' aes' c'' > 1. | < aes' ces'' ces' ees' > 1. \bar "||" } % Voice \context Voice = "voice 2" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*7 aes' 1 | } % Voice \context Voice = "voice 3" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*56 s4. \stemDown aes' \stemNeutral < a' des'' a'' > 2. | %% 45 s4. \stemDown bes' \stemNeutral < des'' a' a'' > 2. | } % Voice \context Voice = "voice 4" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*68 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor \key aes \major r8-\mp ^\markup { \bold \large "Allegro (♩~140)" } aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | %% 55 r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | %% 60 r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | %% 65 r8 aes ees' 2 aes' 4 | r8 \< aes ees' 2 aes' 4 % warning: overlong bar truncated here | r8 aes ees' 2 aes' 4 | < aes aes' d' > 1 _\markup { \bold \italic "ritard." } | f' 2 \! \> f' 4 ees' | %% 70 r8 \! aes -\f ees' 2 _\markup { \bold \italic "a tempo" } aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 \> aes ees' 2 aes' 4 % warning: overlong bar truncated here | %% 75 r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8-\p \! aes _\markup { \italic cresc. } ees' 2 aes' 4 | r8 aes f' 2 aes' 4 | %% 80 r8 aes f' 2 aes' 4 | r8 aes f' 2 c'' 4 | r8 aes f' 2 aes' 4 | r8 aes f' 2 aes' 4 | r8 aes ees' 2 aes' 4 | %% 85 r8 aes ees' 2 c'' 4 | r8 aes fes' 2 c'' 4 | } % Voice \context Voice = "voice 5" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*85 < aes aes' > 1 | %% 70 < aes c' aes' > 1 -\sf | } % Voice \context Voice = "voice 6" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*90 < aes c' aes' > 1 | } % Voice \context Voice = "voice 7" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*103 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "treble" \key f \minor r4 aes e' c'' 4. -\sf -\fermata bes' -\sf -\fermata \bar "||" aes' 2. -\mf ^\markup { \bold \large "Andante" } _~ aes' 4. g' | aes' 2. _~ aes' 4. g' 8. aes' | %% 90 bes' 4. aes' g' aes' | bes' 4. aes' 2. ^~ aes' 4. | aes' 2. _~ aes' 4. g' | aes' 2. _~ aes' 4. g' 8. aes' | bes' 4. aes' g' aes' | %% 95 f' 4. _~ f' 4 s8 s4. s | < aes c' > 4. aes 8 c' f' f' c' aes < bes g > 4. | < c' aes > 4. aes 8 c' e' e' c' aes < bes g > 4. | < c' aes > 4. < c' f' > 8 \< c' f' < ees' g' > c' f' < ees' aes' > c' f' | < g' d' aes > 4. \! f' 8 c'' f'' aes'' f'' \> c'' f' r \! r | %% 100 < c' aes > 4. aes 8 c' f' f' c' aes < bes g > 4. | < c' aes > 4. aes 8 c' e' e' c' aes < bes g > 4. | < c' aes > 4. < c' f' > 8 \< c' f' < ees' g' > c' f' < ees' aes' > c' f' | < c' f' bes' > 4. \! c' 8 f' bes' d'' _\markup { \italic L.H. } bes' f' c' r r | < bes' f' c' > 4. -\f c' 8 f' bes' f'' _\markup { \italic L.H. } bes' f' c' r r | %% 105 < bes' f' c' > 4. f' 8 c'' f'' aes'' f'' c'' f' r r | < bes c' f' > 4. -\mp bes 8 c' f' aes' _\markup { \italic L.H. } f' c' bes r r | < e' bes c' > 4. _\markup { \bold \italic "ritard." } c' 8 e' g' c'' g' e' c' 4. -\fermata \bar "||" < c' e' g' > 4. -\p ^\markup { \bold \large "Lento" } < c' f' aes' > 8 f' aes' c'' aes' f' c' r r | < g' e' c' > 4. < c' aes' e' > 8 e' aes' c'' aes' e' c' r r | %% 110 < g' ees' c' > 4. < c' aes' ees' > 8 ees' aes' ees'' aes' ees' c' r r | < aes c' f' > 4. _\markup { \bold \italic "ritard." } aes 8 c' f' aes' _\markup { \italic L.H. } f' c' aes r r | < g' e' c' > 4. _\markup { \bold \italic "a tempo" } < c' aes' f' > 8 f' aes' c'' aes' f' c' r r | < g' e' c' > 4. \< < c' aes' e' > 8 e' aes' des'' aes' e' c' r r % warning: overlong bar truncated here | < g' c' ees' > 4. < c' aes' ees' > 8 ees' aes' ees'' aes' ees' c' r r | %% 115 < c' f' bes' > 4. -\mf \! c' 8 f' bes' d'' _\markup { \italic L.H. } bes' f' c' \< r r | < bes' f' c' > 4. -\f ^\markup { \bold \large "Andante" } \! c' f' bes' | < bes' c' f' > 4. f' 8 c'' f'' aes'' f'' c'' f' r r | < bes' c' f' > 4. c' f' bes' | < bes' f' c' > 4. < c' e' g' c'' > 2. _~ < c' e' g' c'' > 4. | } % Voice \context Voice = "voice 8" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*152 \skip 2 %% 120 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor #(set-octavation -1) r4_\markup { \bold \italic "ritard." } #(set-octavation -1) bes aes g -\fermata % warning: overlong bar truncated here\bar "||" f 2. _\markup { \bold \italic "a tempo" } -\mp g 8. aes 16 | g 4 f 2. | f 2. \< g 8 aes % warning: overlong bar truncated here | c' 1 | %% 125 < c' aes > 2. \stemUp des' 8. ees' 16 \stemNeutral | < des' aes > 4 \! c' < aes f > 4. g 16 aes | \stemUp bes 4 aes \stemNeutral g aes | c' 1 | #(set-octavation 0) f' 2. -\mp g' 8. aes' 16 | %% 130 g' 4 f' 2. | f' 2. g' 8 aes' | c'' 1 | f'' 2. g'' 8. aes'' 16 | bes'' 4 aes'' 8 g'' f'' 4. \< g'' 16 aes'' | %% 135 \clef "treble^8" bes'' 1 \! \> | ces''' 1 \! | c''' 1 _~ | c''' 2 des''' 4 e''' | \times 2/3 { f''' 16 _\markup { \bold \italic "accel." } g''' f''' } e''' f''' g''' 8 aes''' g''' 4 f''' | %% 140 \times 2/3 { f''' 16 g''' f''' } e''' f''' g''' 8 aes''' c'''' 2 | \times 2/3 { f''' 16 g''' f''' } e''' f''' g''' 8 aes''' g''' 4 f''' | \times 2/3 { f''' 16 g''' f''' } e''' f''' g''' 8 aes''' f''' 2 | \times 2/3 { c''' 16 d''' c''' } ces''' c''' d''' 8 ees''' d''' 4 c''' | \times 2/3 { c''' 16 d''' c''' } ces''' c''' d''' 8 ees''' f''' 2 | %% 145 \times 2/3 { c''' 16 d''' c''' } ces''' c''' d''' 8 ees''' d''' 4 c''' | \once \override Staff.TimeSignature #'style = #'() \time 2/4 \clef "treble" \times 2/3 { f'' 16 g'' f'' } e'' f'' g'' 8 aes'' | \once \override Staff.TimeSignature #'style = #'() \time 4/4 < c''' f'' d'' > 2. _\markup { \bold \italic "a tempo" } c''' 4 | < des'' f'' bes'' > 1 | ees'' 2 aes'' 4 bes'' | %% 150 aes'' 2. g'' 4 | < g'' d'' ces'' > 1 | f'' 2 g'' | < c''' e'' c'' > 1 _~ | < c''' e'' c'' > 1 | } % Voice \context Voice = "voice 9" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*157 \skip 2 %% 125 s2 s4 \stemDown bes \stemNeutral | } % Voice \context Voice = "voice 10" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*159 \skip 2 \stemDown e 2 s \stemNeutral | } % Voice \context Voice = "voice 11" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*182 %% 150 < c'' f'' > 1 | } % Voice \context Voice = "voice 12" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 \clef "treble" \key f \minor r8-\p c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | \clef "treble^8" aes'' 2. g'' 4 | %% 160 aes'' 2. g'' 4 | aes'' 4 bes'' g'' aes'' | bes'' 4 aes'' 2. | aes'' 2. g'' 4 | aes'' 2. g'' 4 | %% 165 aes'' 4 bes'' g'' aes'' | f'' 1 | r8_\markup { \bold \italic "accel." } f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | %% 170 r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | %% 175 aes''' 2. g''' 4 | aes''' 2. g''' 4 | aes''' 4 bes''' g''' aes''' | f''' 8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | f''' 1 | %% 180 \clef "treble" r2 e' | f' 2. ^\markup { \bold \large "Adagio" } e' 4 | f' 2. e' 4 | f' 4 g' e' f' | g' 4 < f' ces' > 2. -\fermata | %% 185 f' 2. _\markup { \bold \italic "accel." } \< e' 4 % warning: overlong bar truncated here | f' 2. e' 4 | f' 4 g' e' f' | g' 4 f' e' f' | aes' 2. -\mf \! g' 4 | %% 190 aes' 2. g' 4 | aes' 4 bes' g' aes' | bes' 4 aes' 2. \bar "||" } % Voice \context Voice = "voice 13" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | } % Voice \context Voice = "voice 14" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*199 \clef "treble^8" aes'' 2. g'' 4 | aes'' 2. g'' 4 | aes'' 4 bes'' g'' aes'' | %% 170 bes'' 4 aes'' 2. | c''' 2. aes'' 4 | c''' 2. bes'' 4 | c''' 4 des''' bes'' c''' | des''' 4 c''' 2. | %% 175 r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | } % Voice \context Voice = "voice 15" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*214 r4 aes 2. | r4 bes 2. | } % Voice \context Voice = "voice 16" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*225 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "treble" \key f \minor aes' 2. ^\markup { \bold \large "Andante" } _~ aes' 4. g' | aes' 2. _~ aes' 4. g' 8. aes' | %% 195 bes' 4. aes' g' aes' | f' 4. _~ f' 4 s8 s4. s | < f' aes' > 2. -\f _~ < f' aes' > 4. < g' bes' > | < aes' c'' > 2. _~ < aes' c'' > 4. < c'' e'' > | < bes' f'' > 4. g'' e'' f'' | %% 200 < g'' d'' > 4. < c'' f'' > 2. ^~ < c'' f'' > 4. | < aes' f' > 2. _~ < aes' f' > 4. < bes' g' > | < c'' aes' > 2. _~ < c'' aes' > 4. < e'' c'' > | < f'' bes' > 4. g'' e'' f'' | < g'' bes' > 4. < aes' f'' > 2. ^~ < aes' f'' > 4. | %% 205 < g'' bes' > 4. -\ff < f'' aes' > 2. _~ < f'' aes' > 4. | < bes' g'' > 4 aes'' < f'' aes' > 1 | < c' aes' > 2 -\f s8 s s4. s | \stemUp bes' 4 \stemNeutral c'' s8 s s4. s | < c'' aes' > 1. | %% 210 < aes' c'' > 4. bes' aes' c'' | < aes' des'' f'' > 1. -\ff | < aes' f'' > 2. ees'' 4. c'' | < c' aes' > 2 s8 s s4. s | < e' c'' > 4. bes' 8 s s s4. bes' | %% 215 < f' aes' c'' > 1. | \stemUp c'' 4. \stemNeutral des'' aes' bes' | < f'' des'' aes' > 1. -\sf _\markup { \bold \italic "ritard." } | < d'' ces'' aes'' > 1. -\sf | < ees'' aes'' c''' > 1. -\sf | %% 220 < e'' aes'' c''' > 4. des''' \> aes'' bes'' \bar "||" < c''' aes'' > 2. -\mp ^\markup { \bold \large "Lento" } \! _~ < aes'' c''' > 4. < bes'' g'' > | < f'' aes'' > 2. _~ < f'' aes'' > 4. g'' 8. aes'' | bes'' 4. aes'' g'' aes'' | bes'' 4. aes'' 2. _~ aes'' 4. | %% 225 aes' 2. -\p _~ aes' 4. g' | aes' 2. _~ aes' 4. g' 8. aes' | bes' 4. _\markup { \bold \italic "ritard." } aes' g' aes' | f' 4. _~ f' 4 f' 8 c'' 2. -\fermata | < aes' c'' > 2. _\markup { \bold \italic "a tempo" } _~ < aes' c'' > 4. < g' bes' > | %% 230 < c'' aes' > 2. _~ < aes' c'' > 4. < bes' g' > | < aes' c'' > 4. _\markup { \bold \italic "ritard." } < c'' f'' > < ees'' g'' > < f'' aes'' > | < c'' f'' bes'' > 2. c'' 8 f'' bes'' #(set-octavation 1) c''' #(set-octavation 1) f''' bes''' % warning: overlong bar truncated here | c'''' 1. -\fermata | #(set-octavation 0) < c'' f'' bes'' > 1. | %% 235 \clef "treble^8" < g'' c''' e''' > 1. | < f'' f''' bes'' des''' > 1. | < f''' c''' aes'' f'' > 1. | f''' 1. -\fermata | \bar "|." } % Voice \context Voice = "voice 17" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*247 \skip 2 \stemDown d' 2 s8 s s4. s \stemNeutral | } % Voice \context Voice = "voice 18" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*259 \skip 2 \stemDown < ges' aes' > 2. s4. s \stemNeutral | } % Voice \context Voice = "voice 19" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*271 \skip 2 r4. r c'' 2. | } % Voice \context Voice = "voice 20" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*291 r4. \clef "bass" aes 8 c' f' r4. \clef "treble" aes'' 8 c''' f''' | } % Voice >> % Staff ends \context Staff = "LH" << \set Staff.midiInstrument = "Acoustic Grand Piano" \set Score.skipBars = ##t \set Staff.printKeyCancellation = ##f \new Voice \global \new Voice \globalTempo \context Voice = "voice 21" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" \key f \minor f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 5 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 10 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 15 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | \once \override Staff.TimeSignature #'style = #'() \time 12/8 f, 8 c f r4. r f 8 c f, | e, 8 c e r4. r e 8 c e, | %% 20 ees, 8 c ees r4. r r8 ees ees, | d, 8 c d r4. r r8 d d, | f, 8 c f r4. r f 8 c f, | e, 8 c e r4. r e 8 c e, | ees, 8 c ees r4. r r8 ees ees, | %% 25 d, 8 c d r4. r r8 d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' r ees' c' aes ees ees, | d, 8 c d aes c' \change Staff = "RH" f' c'' f' \change Staff = "LH" c' aes d d, | %% 30 f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' r ees' c' aes ees ees, | d, 8 c d aes c' \change Staff = "RH" f' c'' f' \change Staff = "LH" c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | %% 35 e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' \change Staff = "RH" f' c'' f' \change Staff = "LH" c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 40 ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' r2. | \clef "bass_8" bes,, 2. a,, | aes,, 2. g,, | aes,, 2. a,, | %% 45 bes,, 2. a,, | aes,, 1. | aes,, 1. | bes,, 2. bes,, 4 c, bes,, | a,, 2. a,, 4 ces, a,, | %% 50 aes,, 2. ees, 4. ces, | aes,, 2. _~ aes,, 4. g,, -\fermata | } % Voice \context Voice = "voice 22" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*68 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" \key f \minor \key aes \major #(set-octavation -1) aes,, 4. #(set-octavation -1) ees, 8 _~ ees, 2 % warning: overlong bar truncated here | aes,, 4. ees, 8 _~ ees, 2 | f,, 4. c, 8 _~ c, 2 | %% 55 f,, 4. c, 8 _~ c, 2 | aes,, 4. ees, 8 _~ ees, 2 | aes,, 4. ees, 8 _~ ees, 2 | f,, 4. c, 8 _~ c, 2 | f,, 4. c, 8 _~ c, 2 | %% 60 #(set-octavation 0) < f c > 4. < c ges > 8 _~ < c ges > 2 | < f c > 4. < ges c > 8 _~ < ges c > 2 | < c aes, > 4. < aes, ees > 8 _~ < aes, ees > 2 | < c aes, > 4. < ees aes, > 8 _~ < ees aes, > 2 | < f c > 4. < ges c > 8 _~ < ges c > 2 | %% 65 < f c > 4. < ges c > 8 _~ < ges c > 2 | < fes ges, > 4. < f, ees > 8 _~ < f, ees > 2 | < fes ges, > 4. < ees f, > 8 _~ < ees f, > 2 | < fes, d > 1 | < des ees, > 1 | %% 70 #(set-octavation -1) aes,, 4. #(set-octavation -1) ees, 8 _~ ees, 2 % warning: overlong bar truncated here | aes,, 4. ees, 8 _~ ees, 2 | f,, 4. c, 8 _~ c, 2 | f,, 4. c, 8 _~ c, 2 | #(set-octavation 0) aes, 4. ees 8 _~ ees 2 | %% 75 aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | f, 4. c 8 _~ c 2 | des, 4. aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | %% 80 c, 4. aes, 8 _~ aes, 2 | c, 4. aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | ees, 4. aes, 8 _~ aes, 2 | %% 85 ees, 4. aes, 8 _~ aes, 2 | fes, 4. aes, 8 _~ aes, 2 | } % Voice \context Voice = "voice 23" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*103 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "bass" \key f \minor e, 2. aes, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 90 ees, 8 c ees aes c' ees' r ees' c' aes ees ees, | d, 8 c d aes c' \change Staff = "RH" f' c'' f' \change Staff = "LH" c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' r ees' c' aes ees ees, | %% 95 d, 8 c d aes c' \change Staff = "RH" f' c'' f' \change Staff = "LH" c' aes d d, | f, 8 c f r4. r f 8 c f, | e, 8 c e r4. r e 8 c e, | ees, 8 c ees r4. r2. | d, 8 c d r4. r r8 d d, | %% 100 f, 8 c f r4. r f 8 c f, | e, 8 c e r4. r e 8 c e, | ees, 8 c ees r4. r2. | d, 8 c d r4. r r8 d d, | des, 8 c des r4. r r8 des des, | %% 105 d, 8 c d r4. r r8 d d, | ees, 8 c ees r4. r r8 ees ees, | e, 8 c e r4. r2. | f, 8 c f r4. r r8 f f, -\fermata | e, 8 c e r4. r r8 e e, -\fermata | %% 110 ees, 8 c ees r4. r r8 ees ees, | d, 8 c d r4. r r8 d d, -\fermata | f, 8 c f r4. r r8 f f, | e, 8 c e r4. r r8 e e, | ees, 8 c ees r4. r r8 ees ees, | %% 115 d, 8 c d r4. r r8 d d, | des, 8 aes, des r4. r2. | d, 8 aes, d r4. r r8 d d, | ees, 8 aes, ees r4. r2. | e, 8 c e r4. c, 2. | } % Voice \context Voice = "voice 24" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*152 \skip 2 %% 120 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" \key f \minor c, 2 d, 4 e, -\fermata | r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | %% 125 r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | r8 < c aes, > -\staccato r < c aes, > -\staccato < d, d aes, > 2 | < d d, bes, g, > 2 < e bes, g, e, > | < c, g, bes, c > 4 bes, aes, g, | r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | %% 130 r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | %% 135 r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | r8 < d aes, > -\staccato r < d aes, > -\staccato r < d aes, > -\staccato r < d aes, > -\staccato | r8 < e c > -\staccato r < e c > -\staccato r < e c > -\staccato r < c e > | < c e > 1 | r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | %% 140 r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | r8 < c aes, > -\staccato r < c aes, > -\staccato r < aes, c > -\staccato r < aes, c > -\staccato | r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | %% 145 r8 < aes, c > -\staccato r < aes, c > -\staccato r < c aes, > -\staccato r < c aes, > -\staccato | \once \override Staff.TimeSignature #'style = #'() \time 2/4 r8 < c aes, > -\staccato r < c aes, > -\staccato | \once \override Staff.TimeSignature #'style = #'() \time 4/4 r4 < aes, c > 2. | r4 < g, bes, > 2. | aes, 1 | %% 150 < d, aes, c > 1 | < f, aes, d > 1 _~ | < d aes, f, > 1 | < c, e, > 1 _~ | < e, c, > 1 | } % Voice \context Voice = "voice 25" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*153 \skip 2 \clef "bass" f, 2 e, | ees, 2 d, | f, 2 e, | ees, 2 d, | %% 125 f, 2 e, | ees, 2 \hideNotes d, \unHideNotes | } % Voice \context Voice = "voice 26" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*161 \skip 2 \clef "bass" f, 2 e, | %% 130 ees, 2 d, | f, 2 e, | ees, 2 d, | f, 2 e, | ees, 2 d, | %% 135 des, 1 | d, 1 | e, 1 _~ | e, 1 | f, 2 e, | %% 140 ees, 2 d, | f, 2 e, | ees, 2 d, | f, 2 e, | ees, 2 d, | %% 145 f, 2 e, | \once \override Staff.TimeSignature #'style = #'() \time 2/4 ees, 2 | \once \override Staff.TimeSignature #'style = #'() \time 4/4 d, 1 | des, 1 | } % Voice \context Voice = "voice 27" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*185 \clef "bass" c 2 bes, | aes, 2 g, | } % Voice \context Voice = "voice 28" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 \clef "bass" \key f \minor f, 1 _~ | f, 1 | f,, 1 _~ | f,, 2 r | \clef "treble^8" r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | %% 160 r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | %% 165 r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | %% 170 ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | %% 175 f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | des'' 1 | %% 180 \clef "bass" c 1 | f, 8 _~ < bes, f, > _~ < f, bes, e > 2. | e, 8 _~ < e, bes, > _~ < e, bes, > 2. | ees, 8 _~ < aes, ees, > _~ < ees, aes, > 2. | d, 8 _~ < d, aes, > _~ < d, aes, > 2. -\fermata | %% 185 des, 8 _~ < aes, des, > _~ < des aes, des, > 2. | c, 8 _~ < c, aes, > _~ < c aes, c, > 2. | des, 8 _~ < des, aes, > _~ < des aes, des, > 2. | d, 8 _~ < d, aes, > _~ < d aes, d, > 2. | f, 8 _~ < c f, > _~ < f c f, > 2. | %% 190 e, 8 _~ < e, c > _~ < e c e, > 2. | ees, 8 _~ < ees, c > _~ < ees c ees, > 2. | d, 8 _~ < d, c > _~ < d c d, > 2. | } % Voice \context Voice = "voice 29" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*191 \clef "treble^8" f'' 2 e'' | %% 160 ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | %% 165 f'' 2 e'' | ees'' 2 d'' | } % Voice \context Voice = "voice 30" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*225 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "bass" \key f \minor f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 195 ees, 8 c ees aes c' ees' r ees' c' aes ees ees, | d, 8 c d aes c' \change Staff = "RH" f' c'' f' \change Staff = "LH" c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | %% 200 d, 8 c d aes c' \change Staff = "RH" f' c'' f' \change Staff = "LH" c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' \change Staff = "RH" f' c'' f' \change Staff = "LH" c' aes d d, | %% 205 des, 8 aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 aes, ees aes \change Staff = "RH" c' aes' aes' c' \change Staff = "LH" aes ees aes, ees, | e, 8 aes, e aes \change Staff = "RH" aes' e'' e'' aes' e' \change Staff = "LH" aes e aes, | f, 8 c f aes c' f' f' c' aes f c f, | %% 210 ges, 8 c ges aes c' ges' r ges' c' aes ges ges, | des, 8 aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 aes, ees aes \change Staff = "RH" c' aes' aes' c' \change Staff = "LH" aes ees aes, ees, | e, 8 aes, e aes \change Staff = "RH" e' aes' aes' e' \change Staff = "LH" aes e aes, e, | %% 215 f, 8 c f aes c' f' f' c' aes f c f, | ges, 8 c ges aes c' ges' r ges' c' aes ges ges, | des, 8 aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 aes, ees aes c' ees' aes' ees' c' aes ees ees, | %% 220 e, 8 aes, e aes c' e' aes' e' c' aes e e, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' r4. r | %% 225 f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' r ees' c' aes ees ees, | d, 8 c d aes c' r r2. | f, 8 c f aes c' f' f' c' aes f c f, | %% 230 e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' r2. | R1. | des, 8 aes, des aes c' f' f' c' aes des aes, des, -\fermata | %% 235 e, 8 c e g c' e' g' e' c' g e e, -\fermata | f, 8 des f aes c' f' f' c' aes f des f, | f, 8 c f r4. \clef "treble" aes' 8 c'' f'' r4. | \clef "bass" #(set-octavation -1) f,, 1. -\fermata #(set-octavation -1) | \bar "|." } % Voice >> % Staff (final) ends >> % GrandStaff (final) 1 >> % notes \layout { \context { \GrandStaff \accepts "Lyrics" } } % uncomment to enable generating midi file from the lilypond source % \midi { % } } % score