% This LilyPond file was generated by Rosegarden 10.04.2 \version "2.12.0" \header { composer = "Gregor Richards" copyright = "Copyright © 2009 Gregor Richards" subtitle = "Arranged for String Quartet" tagline = "Licensed under the Creative Commons By-SA 3.0 License (http://creativecommons.org/licenses/by-sa/3.0/)" title = "Opus 11" } #(set-global-staff-size 20) #(set-default-paper-size "a4") global = { \time 4/4 \skip 1*17 %% 1-17 % \time 12/8 \skip 8*2 \skip 4.*2 \skip 1.*33 \skip 4. \skip 8 %% 18-51 % \time 4/4 \skip 1*35 %% 52-86 % \time 12/8 \skip 8 \skip 4. \skip 1.*32 \skip 4.*2 \skip 8*2 %% 87-119 % \time 4/4 \skip 2*52 %% 120-145 % \time 2/4 \skip 2 %% 146-146 % \time 4/4 \skip 1*46 %% 147-192 % \time 12/8 \skip 1.*46 %% 193-238 } globalTempo = { \override Score.MetronomeMark #'transparent = ##t \tempo 4 = 75 \skip 8*2 \skip 4.*2 \skip 1.*10 \skip 4.*2 \skip 8*2 \tempo 4 = 127 \skip 8*2 \skip 4.*2 \skip 1.*25 \skip 4. \skip 8 \tempo 4 = 75 \skip 1*12 \tempo 4 = 140 \skip 8 \skip 4. \skip 1.*24 \tempo 4 = 127 \skip 8 \skip 4. \skip 1.*19 \skip 4.*2 \skip 8*2 \tempo 4 = 100 \skip 8 \skip 4. \skip 1.*7 \skip 4.*2 \skip 8*2 \tempo 4 = 127 \skip 2*12 \tempo 4 = 100 \skip 1.*48 \skip 4. \skip 8 \tempo 4 = 127 \skip 1.*28 \tempo 4 = 75 \skip 1.*18 } \score { << % common % force offset of colliding notes in chords: \override Score.NoteColumn #'force-hshift = #1.0 \context Staff = "track 6, Violin 2" << \set Staff.instrumentName = \markup { \column { "Violin 2 " } } \set Staff.midiInstrument = "Violin" \set Score.skipBars = ##t \set Staff.printKeyCancellation = ##f \new Voice \global \new Voice \globalTempo \context Voice = "voice 1" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor c'' 2. -\p ^\markup { \bold \large "Adagio (♩~75)" } aes' 4 | c'' 2. aes' 4 | c'' 4 g' 8 aes' bes' c'' 16 bes' aes' 8 g' | f' 1 | %% 5 c'' 2. aes' 4 | c'' 2. aes' 4 | c'' 4 f'' \< g'' aes'' | \stemUp g'' 4 \! \> \stemNeutral f'' 2. | r4 \! aes' f'' aes'' | %% 10 < g'' bes' > 1 | r4 bes' g'' bes'' | < c''' ees'' > 1 | #(set-octavation 1) r4 #(set-octavation 1) aes'' f''' aes''' % warning: overlong bar truncated here | g''' 1 | %% 15 bes''' 4 \< e''' des''' c''' % warning: overlong bar truncated here | bes'' 4 e'' des'' c'' | #(set-octavation 0) bes' 4 e' des' c' | \once \override Staff.TimeSignature #'style = #'() \time 12/8 R1.*9^\markup { \bold \large "Andante (♩.~85)" } \! | r2. des'' | f'' 1. | f'' 1. | %% 30 f'' 2. c'' | des'' 2. e'' | aes'' 2. ees''' | f''' 1. | aes'' 1. | %% 35 g'' 1. | f'' 1. | f'' 1. | f'' 1. | f'' 1. | %% 40 f'' 1. | f'' 1. | r4. \< f' r a' % warning: overlong bar truncated here | r4. < aes' f'' > r_\markup { \bold \italic "ritard." } < g' f'' > | aes'' 4. ^\markup { \bold \large "Lento (♩.~50)" } \! \stemUp f'' 8 ees'' des'' \stemNeutral f'' 4. ees'' | %% 45 r4. \stemUp f'' 8 ees'' des'' \stemNeutral f'' 4. ees'' | aes' 1. -\p | aes' 1. | bes' 1. | a' 1. | %% 50 aes' 1. | aes' 1. | } % Voice \context Voice = "voice 2" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*68 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor \key aes \major R1*14-\mp ^\markup { \bold \large "Allegro (♩~140)" } | R1*2 \< % warning: overlong bar truncated here | d'' 1 _\markup { \bold \italic "ritard." } | aes' 1 \! \> | %% 70 aes' 1 _\markup { \bold \italic "a tempo" } \! | R1*9 | %% 80 r8-\p aes' f'' 2 aes'' 4 | r8 aes' f'' 2 c''' 4 | R1*5 | } % Voice \context Voice = "voice 3" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*103 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "treble" \key f \minor R1. | R1.*4^\markup { \bold \large "Andante" } | c''' 2. -\mf c'' | des'' 2. bes'' | c''' 1. | %% 95 c''' 1. | c''' 2. c'' | des''' 2. ees''' | f''' 1. | d'' 1. | %% 100 c''' 2. c'' | des''' 2. ees''' | f''' 1. | c''' 1. | c''' 1. | %% 105 c''' 2. f'' | f'' 1. -\mp | f'' 1. | e' 4. -\p ^\markup { \bold \large "Lento" } f' 2. _~ f' 4. | e' 4. e' 2. _~ e' 4. | %% 110 ees' 4. ees' 2. _~ ees' 4. | c' 1. _\markup { \bold \italic "ritard." } | e' 4. _\markup { \bold \italic "a tempo" } f' 2. _~ f' 4. | e' 4. \< e' 2. _~ e' 4. % warning: overlong bar truncated here | ees' 4. ees' 2. _~ ees' 4. | %% 115 c'' 1. -\mf \! | c'' 1. -\f ^\markup { \bold \large "Andante" } | c'' 1. | c'' 1. | f' 4. e' 2. _~ e' 4. | } % Voice \context Voice = "voice 4" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*152 \skip 2 %% 120 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor R1_\markup { \bold \italic "ritard." } | r8-\mp c'' -\staccato r_\markup { \bold \italic "a tempo" } c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 \< c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato % warning: overlong bar truncated here | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | %% 125 r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 \! c'' -\staccato r c'' -\staccato f' 2 | bes' 2 bes' | bes' 1 | r8-\mp c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | %% 130 r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r \< c'' -\staccato r c'' -\staccato | %% 135 r8 \! \> c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 \! d'' -\staccato r d'' -\staccato r d'' -\staccato r d'' -\staccato | r8 e'' -\staccato r e'' -\staccato r e'' -\staccato r e'' | e'' 1 | r8_\markup { \bold \italic "accel." } c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | %% 140 r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | %% 145 r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | \once \override Staff.TimeSignature #'style = #'() \time 2/4 r8 c'' -\staccato r c'' -\staccato | \once \override Staff.TimeSignature #'style = #'() \time 4/4 f'' 2. _\markup { \bold \italic "a tempo" } r4 | f'' 1 | R1 | %% 150 f' 1 | d'' 1 _~ | d'' 1 | < e'' c'' > 1 _~ | < e'' c'' > 1 | } % Voice \context Voice = "voice 5" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 \clef "treble" R1*4 | \clef "treble^8" \key f \minor aes'' 2. -\p g'' 4 | %% 160 aes'' 2. g'' 4 | aes'' 4 bes'' g'' aes'' | bes'' 4 aes'' 2. | aes'' 2. g'' 4 | aes'' 2. g'' 4 | %% 165 aes'' 4 bes'' g'' aes'' | f'' 1 | aes'' 2. g'' 4 | aes'' 2. g'' 4 | aes'' 4 bes'' g'' aes'' | %% 170 bes'' 4 aes'' 2. | c''' 2. aes'' 4 | c''' 2. bes'' 4 | c''' 4 des''' bes'' c''' | des''' 4 c''' 2. | %% 175 aes''' 2. g''' 4 | aes''' 2. g''' 4 | aes''' 4 bes''' g''' aes''' | f''' 1 | f''' 1 | } % Voice \context Voice = "voice 6" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*212 %% 180 \clef "treble" \key f \minor \key f \minor r2 e' | f' 2. ^\markup { \bold \large "Adagio" } e' 4 | f' 2. e' 4 | f' 4 g' e' f' | g' 4 f' 2. -\fermata | %% 185 f' 2. _\markup { \bold \italic "accel." } \< e' 4 % warning: overlong bar truncated here | f' 2. e' 4 | f' 4 g' e' f' | g' 4 f' e' f' | aes' 2. -\mf \! g' 4 | %% 190 aes' 2. g' 4 | aes' 4 bes' g' aes' | bes' 4 aes' 2. | } % Voice \context Voice = "voice 7" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*225 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "treble" \key f \minor R1.*4^\markup { \bold \large "Andante" } | f' 2. -\f _~ f' 4. g' | aes' 2. _~ aes' 4. c'' | bes' 1. | %% 200 d'' 4. c'' 2. _~ c'' 4. | f' 2. _~ f' 4. g' | aes' 2. _~ aes' 4. c'' | bes' 1. | bes' 4. aes' 2. _~ aes' 4. | %% 205 bes' 4. -\ff aes' 2. _~ aes' 4. | bes' 4 c'' aes' 1 | c' 1. -\f | des' 4 ees' c' 1 | f' 1. | %% 210 aes' 4. des' ees' e' | f' 1. -\ff | f' 1. | c' 1. | e' 1. | %% 215 aes' 1. | aes' 1. | f'' 1. _\markup { \bold \italic "ritard." } | d'' 1. -\sf | aes'' 1. -\sf | %% 220 aes'' 1. | aes'' 2. -\mp ^\markup { \bold \large "Lento" } \! _~ aes'' 4. g'' | f'' 2. _~ f'' 4. e'' | f'' 1. | f'' 1. | %% 225 R1.*2-\p | R1.*2_\markup { \bold \italic "ritard." } | aes' 2. _\markup { \bold \italic "a tempo" } _~ aes' 4. g' | %% 230 aes' 2. _~ aes' 4. g' | aes' 4. _\markup { \bold \italic "ritard." } c'' ees'' f'' | f'' 1. | R1. | f'' 1. | %% 235 c''' 1. | des''' 1. | c''' 2. aes' 8 c'' f'' r4. | R1. | \bar "|." } % Voice >> % Staff (final) ends >> % notes \layout { \context { \GrandStaff \accepts "Lyrics" } } % uncomment to enable generating midi file from the lilypond source % \midi { % } } % score