% This LilyPond file was generated by Rosegarden 10.04.2 \version "2.12.0" \header { composer = "Gregor Richards" copyright = "Copyright © 2009 Gregor Richards" subtitle = "Arranged for String Quartet" tagline = "Licensed under the Creative Commons By-SA 3.0 License (http://creativecommons.org/licenses/by-sa/3.0/)" title = "Opus 11" } #(set-global-staff-size 20) #(set-default-paper-size "a4") global = { \time 4/4 \skip 1*17 %% 1-17 % \time 12/8 \skip 8*2 \skip 4.*2 \skip 1.*33 \skip 4. \skip 8 %% 18-51 % \time 4/4 \skip 1*35 %% 52-86 % \time 12/8 \skip 8 \skip 4. \skip 1.*32 \skip 4.*2 \skip 8*2 %% 87-119 % \time 4/4 \skip 2*52 %% 120-145 % \time 2/4 \skip 2 %% 146-146 % \time 4/4 \skip 1*46 %% 147-192 % \time 12/8 \skip 1.*46 %% 193-238 } globalTempo = { \override Score.MetronomeMark #'transparent = ##t \tempo 4 = 75 \skip 8*2 \skip 4.*2 \skip 1.*10 \skip 4.*2 \skip 8*2 \tempo 4 = 127 \skip 8*2 \skip 4.*2 \skip 1.*25 \skip 4. \skip 8 \tempo 4 = 75 \skip 1*12 \tempo 4 = 140 \skip 8 \skip 4. \skip 1.*24 \tempo 4 = 127 \skip 8 \skip 4. \skip 1.*19 \skip 4.*2 \skip 8*2 \tempo 4 = 100 \skip 8 \skip 4. \skip 1.*7 \skip 4.*2 \skip 8*2 \tempo 4 = 127 \skip 2*12 \tempo 4 = 100 \skip 1.*48 \skip 4. \skip 8 \tempo 4 = 127 \skip 1.*28 \tempo 4 = 75 \skip 1.*18 } \score { << % common % force offset of colliding notes in chords: \override Score.NoteColumn #'force-hshift = #1.0 \context Staff = "track 8, Cello" << \set Staff.instrumentName = \markup { \column { "Cello " } } \set Staff.midiInstrument = "Cello" \set Score.skipBars = ##t \set Staff.printKeyCancellation = ##f \new Voice \global \new Voice \globalTempo \context Voice = "voice 1" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" \key f \minor f, 8 ^\markup { \bold \large "Adagio (♩~75)" } -\p c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 5 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 10 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 15 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | \once \override Staff.TimeSignature #'style = #'() \time 12/8 f, 8 ^\markup { \bold \large "Andante (♩.~85)" } c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 20 ees, 8 c ees aes c' ees' aes' -\sf ees' c' aes ees ees, | d, 8 c d aes c' f' c'' -\sf f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' -\sf ees' c' aes ees ees, | %% 25 d, 8 c d aes c' f' c'' -\sf f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | %% 30 f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | %% 35 e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 40 ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' 4. r | bes, 2. a, | aes, 2. g, _\markup { \bold \italic "ritard." } | aes, 2. ^\markup { \bold \large "Lento (♩.~50)" } a, | %% 45 bes, 2. a, | aes, 1. -\p | aes, 1. | bes, 2. bes, 4 c bes, | a, 2. a, 4 ces a, | %% 50 aes, 2. ees 4. ces | aes, 2. _~ aes, 4. g, -\fermata | } % Voice \context Voice = "voice 2" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*68 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" \key f \minor \key aes \major aes, 4. ^\markup { \bold \large "Allegro (♩~140)" } -\mp ees 8 _~ ees 2 | aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | %% 55 f, 4. c 8 _~ c 2 | aes, 4. ees 8 _~ ees 2 | aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | f, 4. c 8 _~ c 2 | %% 60 f 4. ges 8 _~ ges 2 | f 4. ges 8 _~ ges 2 | aes, 4. aes, 8 _~ aes, 2 | aes, 4. aes, 8 _~ aes, 2 | f 4. ges 8 _~ ges 2 | %% 65 f 4. ges 8 _~ ges 2 | ges, 4. \< f, 8 _~ f, 2 % warning: overlong bar truncated here | ges, 4. f, 8 _~ f, 2 | < fes, d > 1 _\markup { \bold \italic "ritard." } | < des ees, > 1 \! \> | %% 70 aes, 4. -\f \! ees 8 _\markup { \bold \italic "a tempo" } _~ ees 2 | aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | f, 4. c 8 _~ c 2 | aes, 4. \> ees 8 _~ ees 2 % warning: overlong bar truncated here | %% 75 aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | f, 4. c 8 _~ c 2 | des, 4. -\p \! aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | %% 80 c, 4. aes, 8 _~ aes, 2 | c, 4. aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | ees, 4. aes, 8 _~ aes, 2 | %% 85 ees, 4. aes, 8 _~ aes, 2 | fes, 4. aes, 8 _~ aes, 2 | } % Voice \context Voice = "voice 3" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*103 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "bass" \key f \minor e, 2. aes, | f, 8 -\mf c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 90 ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | %% 95 d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees f 4. \< g aes | d, 8 \! c d f c' f' aes' f' c' f d d, | %% 100 f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees f c f g c f aes c f | d, 8 c d c f bes d' bes f c d d, | des, 8 c des c f bes f' bes f c des des, | %% 105 d, 8 c d f c' f' aes' f' c' f d d, | ees, 8 -\mp c ees bes c' f' aes' f' c' bes ees ees, | e, 8 c e c e g c' g e c 4. -\fermata | f, 8 ^\markup { \bold \large "Lento" } -\p c f c 2. c 8 f f, -\fermata | e, 8 c e c 2. c 8 e e, -\fermata | %% 110 ees, 8 c ees f 2. f 8 ees ees, | d, 8 _\markup { \bold \italic "ritard." } c d f 2. f 8 d d, -\fermata | f, 8 _\markup { \bold \italic "a tempo" } c f c 2. c 8 f f, | e, 8 \< c e c 2. c 8 e e, % warning: overlong bar truncated here | ees, 8 c ees f 2. f 8 ees ees, | %% 115 d, 8 -\mf \! c d f 2. f 8 d d, | des, 8 ^\markup { \bold \large "Andante" } -\f aes, des f 2. _~ f 4. | d, 8 aes, d f c' f' aes' f' c' f d d, | ees, 8 aes, ees f 2. _~ f 4. | e, 8 c e c' 4. c, 2. | } % Voice \context Voice = "voice 4" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*152 \skip 2 %% 120 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" c, 2 _\markup { \bold \italic "ritard." } d, 4 e, -\fermata | f, 2 -\mp e, _\markup { \bold \italic "a tempo" } | ees, 2 d, | f, 2 \< e, % warning: overlong bar truncated here | ees, 2 d, | %% 125 f, 2 e, | ees, 2 \! d, | d 2 e | c 1 | f, 2 -\mp e, | %% 130 ees, 2 d, | f, 2 e, | ees, 2 d, | f, 2 e, | ees, 2 d, \< | %% 135 des, 1 \! \> | d, 1 \! | e, 1 _~ | e, 1 | f, 2 _\markup { \bold \italic "accel." } e, | %% 140 ees, 2 d, | f, 2 e, | ees, 2 d, | f, 2 e, | ees, 2 d, | %% 145 f, 2 e, | \once \override Staff.TimeSignature #'style = #'() \time 2/4 ees, 2 | \once \override Staff.TimeSignature #'style = #'() \time 4/4 d 4 _\markup { \bold \italic "a tempo" } < aes d > 2. | des 4 _~ < g des > 2. | R1 | %% 150 aes 1 | aes 1 _~ | aes 1 | c 2 bes, | aes, 2 g, | } % Voice \context Voice = "voice 5" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 \clef "bass" \key f \minor f 1 -\p _~ | f 1 | f, 1 _~ | f, 1 | } % Voice \context Voice = "voice 6" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*191 \clef "treble" R1*21 | } % Voice \context Voice = "voice 7" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*212 %% 180 \clef "bass" \key f \minor c 1 | f 1 ^\markup { \bold \large "Adagio" } | e 1 | ees 1 | d 1 -\fermata | %% 185 des 1 _\markup { \bold \italic "accel." } \< % warning: overlong bar truncated here | c 1 | des 1 | d 1 | f 1 -\mf \! | %% 190 e 1 | ees 1 | d 1 | } % Voice \context Voice = "voice 8" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*225 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "bass" \key f \minor f, 8 ^\markup { \bold \large "Andante" } c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 195 ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 -\f c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | %% 200 d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | %% 205 des, 8 -\ff aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 -\f aes, ees aes c' aes' aes' c' aes ees aes, ees, | e, 8 aes, e aes aes' e'' e'' aes' e' aes e aes, | f, 8 c f aes c' f' f' c' aes f c f, | %% 210 ges, 8 c ges aes c' ges' aes' ges' c' aes ges ges, | des, 8 -\ff aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 aes, ees aes c' aes' aes' c' aes ees aes, ees, | e, 8 aes, e aes e' aes' aes' e' aes e aes, e, | %% 215 f, 8 c f aes c' f' f' c' aes f c f, | ges, 8 c ges aes c' ges' aes' ges' c' aes ges ges, | des, 8 _\markup { \bold \italic "ritard." } aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 aes, ees aes c' ees' aes' ees' c' aes ees ees, | %% 220 e, 8 aes, e aes \> c' e' aes' e' c' aes e e, | f, 8 -\mp ^\markup { \bold \large "Lento" } \! c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' 2. | %% 225 f, 8 -\p c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 _\markup { \bold \italic "ritard." } c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' 2. -\fermata | f, 8 _\markup { \bold \italic "a tempo" } c f aes c' f' f' c' aes f c f, | %% 230 e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 _\markup { \bold \italic "ritard." } c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' aes' 2. | R1. | des, 8 aes, des aes c' f' f' c' aes des aes, des, -\fermata | %% 235 e, 8 c e g c' e' g' e' c' g e e, -\fermata | f, 8 des f aes c' f' f' c' aes f des f, | f, 8 c f r4. r r | f, 1. -\fermata | \bar "|." } % Voice >> % Staff (final) ends >> % notes \layout { \context { \GrandStaff \accepts "Lyrics" } } % uncomment to enable generating midi file from the lilypond source % \midi { % } } % score