% This LilyPond file was generated by Rosegarden 10.04.2 \version "2.12.0" \header { composer = "Gregor Richards" copyright = "Copyright © 2009 Gregor Richards" subtitle = "Arranged for String Quartet" tagline = "Licensed under the Creative Commons By-SA 3.0 License (http://creativecommons.org/licenses/by-sa/3.0/)" title = "Opus 11" } #(set-global-staff-size 20) #(set-default-paper-size "a4") global = { \time 4/4 \skip 1*17 %% 1-17 % \time 12/8 \skip 8*2 \skip 4.*2 \skip 1.*33 \skip 4. \skip 8 %% 18-51 % \time 4/4 \skip 1*35 %% 52-86 % \time 12/8 \skip 8 \skip 4. \skip 1.*32 \skip 4.*2 \skip 8*2 %% 87-119 % \time 4/4 \skip 2*52 %% 120-145 % \time 2/4 \skip 2 %% 146-146 % \time 4/4 \skip 1*46 %% 147-192 % \time 12/8 \skip 1.*46 %% 193-238 } globalTempo = { \override Score.MetronomeMark #'transparent = ##t \tempo 4 = 75 \skip 8*2 \skip 4.*2 \skip 1.*10 \skip 4.*2 \skip 8*2 \tempo 4 = 127 \skip 8*2 \skip 4.*2 \skip 1.*25 \skip 4. \skip 8 \tempo 4 = 75 \skip 1*12 \tempo 4 = 140 \skip 8 \skip 4. \skip 1.*24 \tempo 4 = 127 \skip 8 \skip 4. \skip 1.*19 \skip 4.*2 \skip 8*2 \tempo 4 = 100 \skip 8 \skip 4. \skip 1.*7 \skip 4.*2 \skip 8*2 \tempo 4 = 127 \skip 2*12 \tempo 4 = 100 \skip 1.*48 \skip 4. \skip 8 \tempo 4 = 127 \skip 1.*28 \tempo 4 = 75 \skip 1.*18 } \score { << % common % force offset of colliding notes in chords: \override Score.NoteColumn #'force-hshift = #1.0 \context Staff = "track 5, Violin 1" << \set Staff.instrumentName = \markup { \column { "Violin 1 " } } \set Staff.midiInstrument = "Violin" \set Score.skipBars = ##t \set Staff.printKeyCancellation = ##f \new Voice \global \new Voice \globalTempo \context Voice = "voice 1" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor R1*16^\markup { \bold \large "Adagio (♩~75)" } -\p | R1 \bar "||" \once \override Staff.TimeSignature #'style = #'() \time 12/8 R1.*4^\markup { \bold \large "Andante (♩.~85)" } | f'' 1. | e'' 1. | ees'' 1. | %% 25 ees'' 2. f'' | c'' 1. | c'' 1. | c'' 1. | aes'' 1. | %% 30 c'' 1. | bes' 1. | c'' 1. | f' 1. | c'' 2. _~ c'' 4. aes' | %% 35 c'' 2. _~ c'' 4. bes' | c'' 4. f'' g'' aes'' | g'' 4. f'' 2. _~ f'' 4. | c'' 2. _~ c'' 4. aes' | c'' 2. _~ c'' 4. bes' | %% 40 c'' 4. f'' g'' aes'' | f''' 2. \> _~ f''' 4. e''' | f''' 4. \! \< r f''' r % warning: overlong bar truncated here | des''' 4. r des''' _\markup { \bold \italic "ritard." } r | r4.^\markup { \bold \large "Lento (♩.~50)" } \! \stemDown aes' \stemNeutral < a'' des'' > 2. | %% 45 r4. \stemDown bes' \stemNeutral < a'' des'' > 2. | < des'' f' > 1. -\p | c'' 1. | des'' 1. | des'' 1. | %% 50 c'' 1. | ces'' 1. \bar "||" } % Voice \context Voice = "voice 2" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*68 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor \key aes \major R1*8-\mp ^\markup { \bold \large "Allegro (♩~140)" } | %% 60 r8 aes' ees'' 2 aes'' 4 | r8 aes' ees'' 2 aes'' 4 | r8 aes' ees'' 2 aes'' 4 | r8 aes' ees'' 2 aes'' 4 | r8 aes' ees'' 2 aes'' 4 | %% 65 r8 aes' ees'' 2 aes'' 4 | r8 \< aes' ees'' 2 aes'' 4 % warning: overlong bar truncated here | r8 aes' ees'' 2 aes'' 4 | aes'' 1 _\markup { \bold \italic "ritard." } | f'' 2 \! \> f'' 4 ees'' | %% 70 c'' 1 _\markup { \bold \italic "a tempo" } \! | R1*3 | r8 \> aes' ees'' 2 aes'' 4 % warning: overlong bar truncated here | %% 75 r8 aes' ees'' 2 aes'' 4 | r8 aes' ees'' 2 aes'' 4 | r8 aes' ees'' 2 aes'' 4 | R1*6 \! | r8-\p aes' ees'' 2 aes'' 4 | %% 85 r8 aes' ees'' 2 c''' 4 | r8 aes' fes'' 2 c''' 4 | } % Voice \context Voice = "voice 3" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*103 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "treble" \key f \minor r4 aes' e'' c''' 4. -\sf -\fermata bes'' -\sf -\fermata \bar "||" f'' 1. -\mf ^\markup { \bold \large "Andante" } | e'' 1. | %% 90 f'' 1. | aes'' 1. | f'' 1. | e'' 1. | ees'' 1. | %% 95 d'' 1. | c'' 2. _~ c'' 4. bes' | c'' 2. _~ c'' 4. bes' | c'' 4. f'' \< g'' aes'' | g'' 4. \! f'' 2. _~ f'' 4. | %% 100 c'' 2. _~ c'' 4. bes' | c'' 2. _~ c'' 4. bes' | c'' 4. f'' g'' aes'' | bes'' 1. | bes'' 1. | %% 105 bes'' 1. | bes'' 1. -\mp | bes'' 4. c''' 2. _~ c''' 4. \bar "||" g' 4. -\p ^\markup { \bold \large "Lento" } aes' 2. _~ aes' 4. | g' 4. aes' 2. _~ aes' 4. | %% 110 g' 4. aes' 2. _~ aes' 4. | f' 1. _\markup { \bold \italic "ritard." } | g' 4. _\markup { \bold \italic "a tempo" } aes' 2. _~ aes' 4. | g' 4. \< aes' 2. _~ aes' 4. % warning: overlong bar truncated here | g' 4. aes' 2. _~ aes' 4. | %% 115 bes' 1. -\mf \! | bes' 1. -\f ^\markup { \bold \large "Andante" } | f' 1. | f' 4. c' f' bes' | bes' 4. c'' 2. _~ c'' 4. | } % Voice \context Voice = "voice 4" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*152 \skip 2 %% 120 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor r4_\markup { \bold \italic "ritard." } bes' aes' g' -\fermata \bar "||" f' 2. -\mp g' 8. _\markup { \bold \italic "a tempo" } aes' 16 | g' 4 f' 2. | f' 2. \< g' 8 aes' % warning: overlong bar truncated here | c'' 1 | %% 125 c'' 2. \stemUp des'' 8. ees'' 16 \stemNeutral | des'' 4 \! c'' aes' 4. g' 16 aes' | \stemUp bes' 4 aes' \stemNeutral g' aes' | c'' 1 | f' 2. -\mp g' 8. aes' 16 | %% 130 g' 4 f' 2. | f' 2. g' 8 aes' | c'' 1 | f'' 2. g'' 8. aes'' 16 | bes'' 4 aes'' 8 g'' f'' 4. \< g'' 16 aes'' | %% 135 bes'' 1 \! \> | ces''' 1 \! | c''' 1 _~ | c''' 2 des'' 4 e'' | \times 2/3 { f'' 16 _\markup { \bold \italic "accel." } g'' f'' } e'' f'' g'' 8 aes'' g'' 4 f'' | %% 140 \times 2/3 { f'' 16 g'' f'' } e'' f'' g'' 8 aes'' c''' 2 | \times 2/3 { f'' 16 g'' f'' } e'' f'' g'' 8 aes'' g'' 4 f'' | \times 2/3 { f'' 16 g'' f'' } e'' f'' g'' 8 aes'' f'' 2 | \times 2/3 { c'' 16 d'' c'' } ces'' c'' d'' 8 ees'' d'' 4 c'' | \times 2/3 { c'' 16 d'' c'' } ces'' c'' d'' 8 ees'' f'' 2 | %% 145 \times 2/3 { c'' 16 d'' c'' } ces'' c'' d'' 8 ees'' d'' 4 c'' | \once \override Staff.TimeSignature #'style = #'() \time 2/4 \times 2/3 { f'' 16 g'' f'' } e'' f'' g'' 8 aes'' | \once \override Staff.TimeSignature #'style = #'() \time 4/4 < c''' d'' > 2. _\markup { \bold \italic "a tempo" } c''' 4 | < des'' bes'' > 1 | ees'' 2 aes'' 4 bes'' | %% 150 aes'' 2. g'' 4 | < g'' ces'' > 1 | f'' 2 g'' | c''' 1 _~ | c''' 1 | } % Voice \context Voice = "voice 5" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 \clef "treble" \key f \minor f''' 8 -\p -\staccato c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | %% 160 r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | %% 165 r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8 c''' -\staccato r c''' -\staccato r c''' -\staccato r c''' -\staccato | r8_\markup { \bold \italic "accel." } f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | %% 170 r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | %% 175 r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | r8 f''' -\staccato r f''' -\staccato r f''' -\staccato r f''' -\staccato | } % Voice \context Voice = "voice 6" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*211 \clef "treble" R1 | } % Voice \context Voice = "voice 7" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*212 %% 180 \clef "treble" \key f \minor R1 | r4^\markup { \bold \large "Adagio" } e' 2. | r4 aes' 2. | r4 bes' 2. | r4 ces'' 2. -\fermata | %% 185 r4_\markup { \bold \italic "accel." } \< des' 2. % warning: overlong bar truncated here | r4 c' 2. | r4 des' 2. | r4 d' 2. | r4-\mf \! f' 2. | %% 190 r4 e' 2. | r4 ees' 2. | r4 d' 2. \bar "||" } % Voice \context Voice = "voice 8" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*225 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "treble" \key f \minor aes' 2. ^\markup { \bold \large "Andante" } _~ aes' 4. g' | aes' 2. _~ aes' 4. g' 8. aes' | %% 195 bes' 4. aes' g' aes' | f' 1. | aes' 2. -\f _~ aes' 4. bes' | c'' 2. _~ c'' 4. e'' | f'' 4. g'' e'' f'' | %% 200 g'' 4. f'' 2. _~ f'' 4. | aes' 2. _~ aes' 4. bes' | c'' 2. _~ c'' 4. e'' | f'' 4. g'' e'' f'' | g'' 4. f'' 2. _~ f'' 4. | %% 205 g'' 4. -\ff f'' 2. _~ f'' 4. | g'' 4 aes'' f'' 1 | aes' 1. -\f | \stemUp bes' 4 \stemNeutral c'' aes' 1 | c'' 1. | %% 210 c'' 4. bes' aes' c'' | f'' 1. -\ff | f'' 2. ees'' 4. c'' | aes' 1. | c'' 4. bes' aes' bes' | %% 215 c'' 1. | \stemUp c'' 4. \stemNeutral des'' aes' bes' | f'' 1. _\markup { \bold \italic "ritard." } | aes'' 1. -\sf | c''' 1. -\sf | %% 220 c''' 4. des''' \> aes'' bes'' \bar "||" c''' 2. -\mp ^\markup { \bold \large "Lento" } \! _~ c''' 4. bes'' | aes'' 2. _~ aes'' 4. g'' 8. aes'' | bes'' 4. aes'' g'' aes'' | bes'' 4. aes'' 2. _~ aes'' 4. | %% 225 aes' 2. -\p _~ aes' 4. g' | aes' 2. _~ aes' 4. g' 8. aes' | bes' 4. _\markup { \bold \italic "ritard." } aes' g' aes' | f' 1. | c'' 2. _\markup { \bold \italic "a tempo" } _~ c'' 4. bes' | %% 230 c'' 2. _~ c'' 4. bes' | c'' 4. _\markup { \bold \italic "ritard." } f'' g'' aes'' | bes'' 2. c'' 8 f'' bes'' #(set-octavation 1) c''' #(set-octavation 1) f''' bes''' % warning: overlong bar truncated here | c'''' 1. -\fermata | #(set-octavation 0) bes'' 1. | %% 235 e''' 1. | f''' 1. | f''' 2. _~ f''' 4. aes'' 8 c''' f''' | f''' 1. -\fermata | \bar "|." } % Voice >> % Staff ends \context Staff = "track 6, Violin 2" << \set Staff.instrumentName = \markup { \column { "Violin 2 " } } \set Staff.midiInstrument = "Violin" \set Score.skipBars = ##t \set Staff.printKeyCancellation = ##f \new Voice \global \new Voice \globalTempo \context Voice = "voice 9" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor c'' 2. -\p ^\markup { \bold \large "Adagio (♩~75)" } aes' 4 | c'' 2. aes' 4 | c'' 4 g' 8 aes' bes' c'' 16 bes' aes' 8 g' | f' 1 | %% 5 c'' 2. aes' 4 | c'' 2. aes' 4 | c'' 4 f'' \< g'' aes'' | \stemUp g'' 4 \! \> \stemNeutral f'' 2. | r4 \! aes' f'' aes'' | %% 10 < g'' bes' > 1 | r4 bes' g'' bes'' | < c''' ees'' > 1 | #(set-octavation 1) r4 #(set-octavation 1) aes'' f''' aes''' % warning: overlong bar truncated here | g''' 1 | %% 15 bes''' 4 \< e''' des''' c''' % warning: overlong bar truncated here | bes'' 4 e'' des'' c'' | #(set-octavation 0) bes' 4 e' des' c' | \once \override Staff.TimeSignature #'style = #'() \time 12/8 R1.*9^\markup { \bold \large "Andante (♩.~85)" } \! | r2. des'' | f'' 1. | f'' 1. | %% 30 f'' 2. c'' | des'' 2. e'' | aes'' 2. ees''' | f''' 1. | aes'' 1. | %% 35 g'' 1. | f'' 1. | f'' 1. | f'' 1. | f'' 1. | %% 40 f'' 1. | f'' 1. | r4. \< f' r a' % warning: overlong bar truncated here | r4. < aes' f'' > r_\markup { \bold \italic "ritard." } < g' f'' > | aes'' 4. ^\markup { \bold \large "Lento (♩.~50)" } \! \stemUp f'' 8 ees'' des'' \stemNeutral f'' 4. ees'' | %% 45 r4. \stemUp f'' 8 ees'' des'' \stemNeutral f'' 4. ees'' | aes' 1. -\p | aes' 1. | bes' 1. | a' 1. | %% 50 aes' 1. | aes' 1. | } % Voice \context Voice = "voice 10" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*68 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor \key aes \major R1*14-\mp ^\markup { \bold \large "Allegro (♩~140)" } | R1*2 \< % warning: overlong bar truncated here | d'' 1 _\markup { \bold \italic "ritard." } | aes' 1 \! \> | %% 70 aes' 1 _\markup { \bold \italic "a tempo" } \! | R1*9 | %% 80 r8-\p aes' f'' 2 aes'' 4 | r8 aes' f'' 2 c''' 4 | R1*5 | } % Voice \context Voice = "voice 11" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*103 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "treble" \key f \minor R1. | R1.*4^\markup { \bold \large "Andante" } | c''' 2. -\mf c'' | des'' 2. bes'' | c''' 1. | %% 95 c''' 1. | c''' 2. c'' | des''' 2. ees''' | f''' 1. | d'' 1. | %% 100 c''' 2. c'' | des''' 2. ees''' | f''' 1. | c''' 1. | c''' 1. | %% 105 c''' 2. f'' | f'' 1. -\mp | f'' 1. | e' 4. -\p ^\markup { \bold \large "Lento" } f' 2. _~ f' 4. | e' 4. e' 2. _~ e' 4. | %% 110 ees' 4. ees' 2. _~ ees' 4. | c' 1. _\markup { \bold \italic "ritard." } | e' 4. _\markup { \bold \italic "a tempo" } f' 2. _~ f' 4. | e' 4. \< e' 2. _~ e' 4. % warning: overlong bar truncated here | ees' 4. ees' 2. _~ ees' 4. | %% 115 c'' 1. -\mf \! | c'' 1. -\f ^\markup { \bold \large "Andante" } | c'' 1. | c'' 1. | f' 4. e' 2. _~ e' 4. | } % Voice \context Voice = "voice 12" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*152 \skip 2 %% 120 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "treble" \key f \minor R1_\markup { \bold \italic "ritard." } | r8-\mp c'' -\staccato r_\markup { \bold \italic "a tempo" } c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 \< c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato % warning: overlong bar truncated here | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | %% 125 r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 \! c'' -\staccato r c'' -\staccato f' 2 | bes' 2 bes' | bes' 1 | r8-\mp c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | %% 130 r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r \< c'' -\staccato r c'' -\staccato | %% 135 r8 \! \> c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 \! d'' -\staccato r d'' -\staccato r d'' -\staccato r d'' -\staccato | r8 e'' -\staccato r e'' -\staccato r e'' -\staccato r e'' | e'' 1 | r8_\markup { \bold \italic "accel." } c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | %% 140 r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | %% 145 r8 c'' -\staccato r c'' -\staccato r c'' -\staccato r c'' -\staccato | \once \override Staff.TimeSignature #'style = #'() \time 2/4 r8 c'' -\staccato r c'' -\staccato | \once \override Staff.TimeSignature #'style = #'() \time 4/4 f'' 2. _\markup { \bold \italic "a tempo" } r4 | f'' 1 | R1 | %% 150 f' 1 | d'' 1 _~ | d'' 1 | < e'' c'' > 1 _~ | < e'' c'' > 1 | } % Voice \context Voice = "voice 13" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 \clef "treble" R1*4 | \clef "treble^8" \key f \minor aes'' 2. -\p g'' 4 | %% 160 aes'' 2. g'' 4 | aes'' 4 bes'' g'' aes'' | bes'' 4 aes'' 2. | aes'' 2. g'' 4 | aes'' 2. g'' 4 | %% 165 aes'' 4 bes'' g'' aes'' | f'' 1 | aes'' 2. g'' 4 | aes'' 2. g'' 4 | aes'' 4 bes'' g'' aes'' | %% 170 bes'' 4 aes'' 2. | c''' 2. aes'' 4 | c''' 2. bes'' 4 | c''' 4 des''' bes'' c''' | des''' 4 c''' 2. | %% 175 aes''' 2. g''' 4 | aes''' 2. g''' 4 | aes''' 4 bes''' g''' aes''' | f''' 1 | f''' 1 | } % Voice \context Voice = "voice 14" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*212 %% 180 \clef "treble" \key f \minor \key f \minor r2 e' | f' 2. ^\markup { \bold \large "Adagio" } e' 4 | f' 2. e' 4 | f' 4 g' e' f' | g' 4 f' 2. -\fermata | %% 185 f' 2. _\markup { \bold \italic "accel." } \< e' 4 % warning: overlong bar truncated here | f' 2. e' 4 | f' 4 g' e' f' | g' 4 f' e' f' | aes' 2. -\mf \! g' 4 | %% 190 aes' 2. g' 4 | aes' 4 bes' g' aes' | bes' 4 aes' 2. | } % Voice \context Voice = "voice 15" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*225 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "treble" \key f \minor R1.*4^\markup { \bold \large "Andante" } | f' 2. -\f _~ f' 4. g' | aes' 2. _~ aes' 4. c'' | bes' 1. | %% 200 d'' 4. c'' 2. _~ c'' 4. | f' 2. _~ f' 4. g' | aes' 2. _~ aes' 4. c'' | bes' 1. | bes' 4. aes' 2. _~ aes' 4. | %% 205 bes' 4. -\ff aes' 2. _~ aes' 4. | bes' 4 c'' aes' 1 | c' 1. -\f | des' 4 ees' c' 1 | f' 1. | %% 210 aes' 4. des' ees' e' | f' 1. -\ff | f' 1. | c' 1. | e' 1. | %% 215 aes' 1. | aes' 1. | f'' 1. _\markup { \bold \italic "ritard." } | d'' 1. -\sf | aes'' 1. -\sf | %% 220 aes'' 1. | aes'' 2. -\mp ^\markup { \bold \large "Lento" } \! _~ aes'' 4. g'' | f'' 2. _~ f'' 4. e'' | f'' 1. | f'' 1. | %% 225 R1.*2-\p | R1.*2_\markup { \bold \italic "ritard." } | aes' 2. _\markup { \bold \italic "a tempo" } _~ aes' 4. g' | %% 230 aes' 2. _~ aes' 4. g' | aes' 4. _\markup { \bold \italic "ritard." } c'' ees'' f'' | f'' 1. | R1. | f'' 1. | %% 235 c''' 1. | des''' 1. | c''' 2. aes' 8 c'' f'' r4. | R1. | \bar "|." } % Voice >> % Staff ends \context Staff = "track 7, Viola" << \set Staff.instrumentName = \markup { \column { "Viola " } } \set Staff.midiInstrument = "Viola" \set Score.skipBars = ##t \set Staff.printKeyCancellation = ##f \new Voice \global \new Voice \globalTempo \context Voice = "voice 16" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "alto" \key f \minor f' 1 -\p ^\markup { \bold \large "Adagio (♩~75)" } | e' 1 | ees' 1 | d' 1 | %% 5 f' 1 | e' 1 | ees' 1 \< | aes' 1 \! \> | c' 1 \! | %% 10 des'' 1 | e' 1 | ges'' 1 | f' 1 | e' 1 | %% 15 des' 1 \< % warning: overlong bar truncated here | bes 1 | g 1 | \once \override Staff.TimeSignature #'style = #'() \time 12/8 aes 1. ^\markup { \bold \large "Andante (♩.~85)" } \! | g 1. | %% 20 c' 1. | f' 1. | aes' 1. | c'' 1. | c'' 1. | %% 25 bes' 1. | aes' 2. _~ aes' 4. g' | aes' 2. _~ aes' 4. g' | aes' 4. bes' g' aes' | f' 1. | %% 30 aes' 2. _~ aes' 4. g' | aes' 2. _~ aes' 4. g' | aes' 4. bes' g' aes' | bes' 4. aes' 2. _~ aes' 4. | f' 1. | %% 35 e' 1. | ees' 1. | d' 1. | c' 2. c | des 2. ees | %% 40 f 2. aes | bes 1. | r4. \< < des' bes' > r < ees' des'' > % warning: overlong bar truncated here | r4. des'' r2._\markup { \bold \italic "ritard." } | r2.^\markup { \bold \large "Lento (♩.~50)" } \! a' | %% 45 r2. a' | des' 1. -\p | ges' 1. | f' 1. | ges' 1. | %% 50 ees' 1. | ees' 1. | } % Voice \context Voice = "voice 17" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*68 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "alto" \key f \minor \key aes \major r8-\mp ^\markup { \bold \large "Allegro (♩~140)" } aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | %% 55 r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | %% 60 c 4. c 8 _~ c 2 | c 4. c 8 _~ c 2 | c 4. ees 8 _~ ees 2 | c 4. ees 8 _~ ees 2 | c 4. c 8 _~ c 2 | %% 65 c 4. c 8 _~ c 2 | fes 4. \< ees 8 _~ ees 2 % warning: overlong bar truncated here | fes 4. ees 8 _~ ees 2 | aes 1 _\markup { \bold \italic "ritard." } | aes 1 \! \> | %% 70 r8 \! aes -\f ees' 2 _\markup { \bold \italic "a tempo" } aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | r8 aes ees' 2 aes' 4 | R1*4 | r8-\p aes _\markup { \italic cresc. } ees' 2 aes' 4 | r8 aes f' 2 aes' 4 | %% 80 R1*2 | r8 aes f' 2 aes' 4 | r8 aes f' 2 aes' 4 | R1*2 | r8 c' des' 2 ees' 4 | } % Voice \context Voice = "voice 18" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*103 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "alto" \key f \minor r4 c' des' c' 4. -\sf -\fermata g -\sf -\fermata | aes 2. -\mf ^\markup { \bold \large "Andante" } _~ aes 4. g | aes 2. _~ aes 4. g 8. aes | %% 90 bes 4. aes g aes | bes 4. aes 2. _~ aes 4. | aes 2. _~ aes 4. g | aes 2. _~ aes 4. g 8. aes | bes 4. aes g aes | %% 95 f 1. | aes 2. _~ aes 4. g | aes 2. _~ aes 4. g | aes 4. f' 8 \< c' f' g' c' f' aes' c' f' | aes 1. \! | %% 100 aes 2. _~ aes 4. g | aes 2. _~ aes 4. g | aes 4. c' 8 f c' ees' f c' f' f c' | f' 1. | f' 1. | %% 105 f' 2. f | aes 1. -\mp | aes 4. g 2. _~ g 4. | c' 4. -\p ^\markup { \bold \large "Lento" } c' 8 f' aes' c'' aes' f' c' 4. | bes 4. c' 8 e' aes' c'' aes' e' c' 4. | %% 110 ees' 4. c' 8 ees' aes' ees'' aes' ees' c' 4. | aes 4. _\markup { \bold \italic "ritard." } aes 8 c' f' aes' f' c' aes 4. | c' 4. _\markup { \bold \italic "a tempo" } c' 8 f' aes' c'' aes' f' c' 4. | bes 4. \< c' 8 e' aes' des'' aes' e' c' 4. % warning: overlong bar truncated here | bes 4. c' 8 ees' aes' ees'' aes' ees' c' 4. | %% 115 f' 4. -\mf \! c' 8 f' bes' d'' bes' f' c' 4. | f' 4. -\f ^\markup { \bold \large "Andante" } c' f' bes' | bes' 1. | bes' 1. | c' 4. c' 2. _~ c' 4. | } % Voice \context Voice = "voice 19" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*152 \skip 2 %% 120 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "alto" \key f \minor R1_\markup { \bold \italic "ritard." } | r8-\mp aes -\staccato r_\markup { \bold \italic "a tempo" } aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 \< aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato % warning: overlong bar truncated here | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | %% 125 r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 \! aes -\staccato r aes -\staccato f 2 | < d' g > 2 < e' g > | c' 4 bes aes g | r8-\mp aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | %% 130 r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r \< aes -\staccato r aes -\staccato | %% 135 r8 \! \> aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 \! aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 c' -\staccato r c' -\staccato r c' -\staccato r c' | c' 1 | r8_\markup { \bold \italic "accel." } aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | %% 140 r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | %% 145 r8 aes -\staccato r aes -\staccato r aes -\staccato r aes -\staccato | \once \override Staff.TimeSignature #'style = #'() \time 2/4 r8 aes -\staccato r aes -\staccato | \once \override Staff.TimeSignature #'style = #'() \time 4/4 r4_\markup { \bold \italic "a tempo" } c' 2. | r4 bes 2. | aes 1 | %% 150 c' 1 | < aes d' > 1 _~ | < d' aes > 1 | c 1 _~ | c 1 | } % Voice \context Voice = "voice 20" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 \clef "alto" f'' 2 -\p e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | %% 160 ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | %% 165 f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | %% 170 ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | %% 175 f'' 2 e'' | ees'' 2 d'' | f'' 2 e'' | ees'' 2 d'' | des'' 1 | } % Voice \context Voice = "voice 21" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*212 %% 180 \clef "alto" \key f \minor R1 | r8^\markup { \bold \large "Adagio" } bes _~ bes 2. | r8 bes _~ bes 2. | r8 aes _~ aes 2. | r8 aes _~ aes 2. -\fermata | %% 185 r8_\markup { \bold \italic "accel." } \< aes _~ aes 2. % warning: overlong bar truncated here | r8 aes _~ aes 2. | r8 aes _~ aes 2. | r8 aes _~ aes 2. | r8-\mf \! c' _~ c' 2. | %% 190 r8 c' _~ c' 2. | r8 c' _~ c' 2. | r8 c' _~ c' 2. | } % Voice \context Voice = "voice 22" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*225 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "alto" \key f \minor c' 1. ^\markup { \bold \large "Andante" } | bes 2. aes 4. g | %% 195 f 1. | f 1. | c' 2. -\f g | c' 2. g' | aes' 4. c'' aes g | %% 200 f 1. | c' 2. des' | des' 2. e' | f' 4. c' aes bes | c' 1. | %% 205 c' 4. -\ff bes aes g | aes 1. | c' 4. -\f des' aes bes | c' 1. | f' 1. | %% 210 aes 1. | aes 4. -\ff bes c' bes | aes 1. | aes 4. c' aes' bes | aes 1. | %% 215 f' 4. g' aes' g' | aes' 2. bes' | des'' 1. _\markup { \bold \italic "ritard." } | ces'' 1. -\sf | ees'' 1. -\sf | %% 220 e'' 1. | f'' 1. -\mp ^\markup { \bold \large "Lento" } \! | e' 2. f' | f' 1. | bes 4. aes g f | %% 225 f 1. -\p | e 1. | ees 1. _\markup { \bold \italic "ritard." } | aes 1. | c' 1. _\markup { \bold \italic "a tempo" } | %% 230 des' 2. ees' | f' 1. _\markup { \bold \italic "ritard." } | c'' 1. | R1. | c'' 1. | %% 235 g' 1. | f' 1. | f' 4. aes 8 c' f' r4. r | R1. | \bar "|." } % Voice >> % Staff ends \context Staff = "track 8, Cello" << \set Staff.instrumentName = \markup { \column { "Cello " } } \set Staff.midiInstrument = "Cello" \set Score.skipBars = ##t \set Staff.printKeyCancellation = ##f \new Voice \global \new Voice \globalTempo \context Voice = "voice 23" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" \key f \minor f, 8 ^\markup { \bold \large "Adagio (♩~75)" } -\p c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 5 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 10 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | %% 15 f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | f, 8 c f 2 c 4 | \once \override Staff.TimeSignature #'style = #'() \time 12/8 f, 8 ^\markup { \bold \large "Andante (♩.~85)" } c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 20 ees, 8 c ees aes c' ees' aes' -\sf ees' c' aes ees ees, | d, 8 c d aes c' f' c'' -\sf f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' -\sf ees' c' aes ees ees, | %% 25 d, 8 c d aes c' f' c'' -\sf f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | %% 30 f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | %% 35 e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 40 ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' 4. r | bes, 2. a, | aes, 2. g, _\markup { \bold \italic "ritard." } | aes, 2. ^\markup { \bold \large "Lento (♩.~50)" } a, | %% 45 bes, 2. a, | aes, 1. -\p | aes, 1. | bes, 2. bes, 4 c bes, | a, 2. a, 4 ces a, | %% 50 aes, 2. ees 4. ces | aes, 2. _~ aes, 4. g, -\fermata | } % Voice \context Voice = "voice 24" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*68 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" \key f \minor \key aes \major aes, 4. ^\markup { \bold \large "Allegro (♩~140)" } -\mp ees 8 _~ ees 2 | aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | %% 55 f, 4. c 8 _~ c 2 | aes, 4. ees 8 _~ ees 2 | aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | f, 4. c 8 _~ c 2 | %% 60 f 4. ges 8 _~ ges 2 | f 4. ges 8 _~ ges 2 | aes, 4. aes, 8 _~ aes, 2 | aes, 4. aes, 8 _~ aes, 2 | f 4. ges 8 _~ ges 2 | %% 65 f 4. ges 8 _~ ges 2 | ges, 4. \< f, 8 _~ f, 2 % warning: overlong bar truncated here | ges, 4. f, 8 _~ f, 2 | < fes, d > 1 _\markup { \bold \italic "ritard." } | < des ees, > 1 \! \> | %% 70 aes, 4. -\f \! ees 8 _\markup { \bold \italic "a tempo" } _~ ees 2 | aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | f, 4. c 8 _~ c 2 | aes, 4. \> ees 8 _~ ees 2 % warning: overlong bar truncated here | %% 75 aes, 4. ees 8 _~ ees 2 | f, 4. c 8 _~ c 2 | f, 4. c 8 _~ c 2 | des, 4. -\p \! aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | %% 80 c, 4. aes, 8 _~ aes, 2 | c, 4. aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | des, 4. aes, 8 _~ aes, 2 | ees, 4. aes, 8 _~ aes, 2 | %% 85 ees, 4. aes, 8 _~ aes, 2 | fes, 4. aes, 8 _~ aes, 2 | } % Voice \context Voice = "voice 25" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*103 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "bass" \key f \minor e, 2. aes, | f, 8 -\mf c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 90 ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | %% 95 d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees f 4. \< g aes | d, 8 \! c d f c' f' aes' f' c' f d d, | %% 100 f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees f c f g c f aes c f | d, 8 c d c f bes d' bes f c d d, | des, 8 c des c f bes f' bes f c des des, | %% 105 d, 8 c d f c' f' aes' f' c' f d d, | ees, 8 -\mp c ees bes c' f' aes' f' c' bes ees ees, | e, 8 c e c e g c' g e c 4. -\fermata | f, 8 ^\markup { \bold \large "Lento" } -\p c f c 2. c 8 f f, -\fermata | e, 8 c e c 2. c 8 e e, -\fermata | %% 110 ees, 8 c ees f 2. f 8 ees ees, | d, 8 _\markup { \bold \italic "ritard." } c d f 2. f 8 d d, -\fermata | f, 8 _\markup { \bold \italic "a tempo" } c f c 2. c 8 f f, | e, 8 \< c e c 2. c 8 e e, % warning: overlong bar truncated here | ees, 8 c ees f 2. f 8 ees ees, | %% 115 d, 8 -\mf \! c d f 2. f 8 d d, | des, 8 ^\markup { \bold \large "Andante" } -\f aes, des f 2. _~ f 4. | d, 8 aes, d f c' f' aes' f' c' f d d, | ees, 8 aes, ees f 2. _~ f 4. | e, 8 c e c' 4. c, 2. | } % Voice \context Voice = "voice 26" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*152 \skip 2 %% 120 \once \override Staff.TimeSignature #'style = #'() \time 4/4 \clef "bass" c, 2 _\markup { \bold \italic "ritard." } d, 4 e, -\fermata | f, 2 -\mp e, _\markup { \bold \italic "a tempo" } | ees, 2 d, | f, 2 \< e, % warning: overlong bar truncated here | ees, 2 d, | %% 125 f, 2 e, | ees, 2 \! d, | d 2 e | c 1 | f, 2 -\mp e, | %% 130 ees, 2 d, | f, 2 e, | ees, 2 d, | f, 2 e, | ees, 2 d, \< | %% 135 des, 1 \! \> | d, 1 \! | e, 1 _~ | e, 1 | f, 2 _\markup { \bold \italic "accel." } e, | %% 140 ees, 2 d, | f, 2 e, | ees, 2 d, | f, 2 e, | ees, 2 d, | %% 145 f, 2 e, | \once \override Staff.TimeSignature #'style = #'() \time 2/4 ees, 2 | \once \override Staff.TimeSignature #'style = #'() \time 4/4 d 4 _\markup { \bold \italic "a tempo" } < aes d > 2. | des 4 _~ < g des > 2. | R1 | %% 150 aes 1 | aes 1 _~ | aes 1 | c 2 bes, | aes, 2 g, | } % Voice \context Voice = "voice 27" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*187 %% 155 \clef "bass" \key f \minor f 1 -\p _~ | f 1 | f, 1 _~ | f, 1 | } % Voice \context Voice = "voice 28" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*191 \clef "treble" R1*21 | } % Voice \context Voice = "voice 29" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*212 %% 180 \clef "bass" \key f \minor c 1 | f 1 ^\markup { \bold \large "Adagio" } | e 1 | ees 1 | d 1 -\fermata | %% 185 des 1 _\markup { \bold \italic "accel." } \< % warning: overlong bar truncated here | c 1 | des 1 | d 1 | f 1 -\mf \! | %% 190 e 1 | ees 1 | d 1 | } % Voice \context Voice = "voice 30" { \override Voice.TextScript #'padding = #2.0 \override MultiMeasureRest #'expand-limit = 1 \skip 1*225 \once \override Staff.TimeSignature #'style = #'() \time 12/8 \clef "bass" \key f \minor f, 8 ^\markup { \bold \large "Andante" } c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | %% 195 ees, 8 c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 -\f c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | %% 200 d, 8 c d aes c' f' c'' f' c' aes d d, | f, 8 c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' f' c' aes d d, | %% 205 des, 8 -\ff aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 -\f aes, ees aes c' aes' aes' c' aes ees aes, ees, | e, 8 aes, e aes aes' e'' e'' aes' e' aes e aes, | f, 8 c f aes c' f' f' c' aes f c f, | %% 210 ges, 8 c ges aes c' ges' aes' ges' c' aes ges ges, | des, 8 -\ff aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 aes, ees aes c' aes' aes' c' aes ees aes, ees, | e, 8 aes, e aes e' aes' aes' e' aes e aes, e, | %% 215 f, 8 c f aes c' f' f' c' aes f c f, | ges, 8 c ges aes c' ges' aes' ges' c' aes ges ges, | des, 8 _\markup { \bold \italic "ritard." } aes, des aes c' f' f' c' aes des aes, des, | d, 8 aes, d aes c' f' f' c' aes d aes, d, | ees, 8 aes, ees aes c' ees' aes' ees' c' aes ees ees, | %% 220 e, 8 aes, e aes \> c' e' aes' e' c' aes e e, | f, 8 -\mp ^\markup { \bold \large "Lento" } \! c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' 2. | %% 225 f, 8 -\p c f aes c' f' f' c' aes f c f, | e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 _\markup { \bold \italic "ritard." } c ees aes c' ees' g' ees' c' aes ees ees, | d, 8 c d aes c' f' c'' 2. -\fermata | f, 8 _\markup { \bold \italic "a tempo" } c f aes c' f' f' c' aes f c f, | %% 230 e, 8 c e aes c' e' e' c' aes e c e, | ees, 8 _\markup { \bold \italic "ritard." } c ees aes c' ees' aes' ees' c' aes ees ees, | d, 8 c d aes c' f' aes' 2. | R1. | des, 8 aes, des aes c' f' f' c' aes des aes, des, -\fermata | %% 235 e, 8 c e g c' e' g' e' c' g e e, -\fermata | f, 8 des f aes c' f' f' c' aes f des f, | f, 8 c f r4. r r | f, 1. -\fermata | \bar "|." } % Voice >> % Staff (final) ends >> % notes \layout { \context { \GrandStaff \accepts "Lyrics" } } % uncomment to enable generating midi file from the lilypond source % \midi { % } } % score